Paperclay in recent South African ceramics : continuity and change in studio works.

dc.contributor.advisor	Calder, Ian Meredith Shepstone.
dc.contributor.author	Frisinger, Leanne April.
dc.date.accessioned	2013-03-20T13:38:02Z
dc.date.available	2013-03-20T13:38:02Z
dc.date.created	2012
dc.date.issued	2012
dc.description	Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2012.	en
dc.description.abstract	This dissertation comprises the documentation and theoretical component of a practice-led Master of Arts in Fine Art. The illustrated text focuses in four chapters on a critical explication of contemporary South African ceramists namely, Juliet Armstrong, Betsy Nield, Liza Firer and Leanne Frisinger. The dissertation includes significant discoveries about the creative use of paperclay in contemporary South African ceramics and provides documentary record of the candidate’s materials and processes. A conclusion briefly compares productions referred to in the text.	en
dc.identifier.uri	http://hdl.handle.net/10413/8727
dc.language.iso	en_ZA	en
dc.subject	Paper clay--South Africa.	en
dc.subject	Clay--South Africa.	en
dc.subject	Ceramics--South Africa.	en
dc.subject	Potters--South Africa.	en
dc.subject	Theses--Fine art.	en
dc.title	Paperclay in recent South African ceramics : continuity and change in studio works.	en
dc.type	Thesis	en

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