Browsing by Author "Craighead, Clare Leslie."

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Homophobia : experiences and perceptions of the LGBT community of police in the Durban Metropolitan Area.
(2012) Mahapa, Nteboheleng Justinus.; Craighead, Clare Leslie.
While the South African criminal justice system has become increasingly aware of issues affecting women, matters pertaining to the lesbian, gay, bisexual and transgender (LGBT) community have largely been ignored. The homosexual panic, as well as the quasi-militaristic nature of discrimination among police and within law enforcement agencies in relation to LGBT issues, suggests an apparent omission in the law and sets an example of institutional homophobia, and this fosters antipathy towards the LGBT people in larger communities. With the employment of post-structural feminist theory, this research argues that police homophobia and homophobia in general, reinstates conservative hetero-patriarchal dominance and new forms of marginalization. Criminal law, disregard for human rights legislation and public opinion have been used by some police to reduce and suppress protection of the LGBT community within the Durban Metropolitan area. This dissertation aims to add to current debates on LGBT sexuality by interrogating violence motivated by homophobia and heterosexism as this is the most frequent, visible, violent and culturally legitimized form of hate crimes in Durban. It highlights the antagonism that the LGBT community faces at the hands of police when reporting these crimes. It aims to engage Foucault‟s theory of power in conjunction with other major theories such as Butler‟s theory of performativity, Queer theory, as well as Theron‟s criminalizing theory in order to unpack reasons why power dynamics come into play between police and the LGBT community. The study establishes how fundamentalist moralist Christian notions of sexuality perpetuate violent anti-LGBT rhetoric within law enforcement structures and other institutions in Durban. It seeks to add a new dimension regarding the interrogation of power structures by questioning law enforcement with the aim of demonstrating how homophobia dictates to the victim that they cannot negotiate different forms of sexuality. It sets out to explain how dominant heterosexual culture and religious discourses set boundaries on how the LGBT community in Durban should enjoy their bodies. This research analyzes the human cost of the fusion between culture and conservative religious discourses and how these posit a serious threat to LGBT subjects in negotiating gender fluidity within law enforcement spaces. The concluding chapter offers suggestions on how to strengthen the fragile relationship between the LGBT community and police officials.
The representation of homosexual men in the soap opera Generations.
(2012) Sehlabi, Tumelo Bernard.; Craighead, Clare Leslie.
This research examined the representation of homosexual men in soap opera Generations. It reveals that while homosexual characters have been incorporated in the locally produced soap opera Generations, the representation of such characters is revealed as 'other’. This dissertation argued that the representation of homosexual men in soap opera Generations are categorized negatively often being seen to be morally degenerate consequently; the inclusion of homosexual men in Generations is often associated with negative stereotypes. This study argues that homosexual men in Generations are often represented as having problems to be solved. This include homosexual men being faced with secrecy, shame, guilt, homosexual violence, rejection and other negative stereotypes as represented in soap opera Generations. The research highlights the social constructions and gender stereotypes in mainstream media television which consider homosexuality as abnormal, unnatural and sickness. The secrecy of homosexuality implied by mainstream media television representation makes homosexuality to appear as something concealed and related to shame and regret. In addition, the dissertation also looks in-depth into categories of negative stereotypes where being a gay primarily realizes on the rigid gender schemas exploited by the mainstream media television to represent homosexual men as not men enough which appeared as natural rather than socially constructed. This study‟s theoretical frame work brought together the concepts of different area of enquiry such as negative representation of homosexuality, homophobia, secrecy, guilt, shame while using discourse analysis. The major areas addressing the coding includes the representation of homosexuality in the text, soap operas' (Generations) representation of homosexual men and the specific themes and objectives guiding each selected episode of Generations.
Shifting spaces in the 'new South Africa' : site-specific performance as an intercultural exploration of sites, using as examples Jay Pather's Cityscapes, Durban (2002) and Home, Durban (2003)
(2006) Craighead, Clare Leslie.; Loots, Lliane Jennifer.
This dissertation aims to investigate an extended notion of site within site-specific dance theatre. Using multiple theoretical frameworks, which include second wave feminism and its recognition of the body as a site of/for struggle (Goldberg, 1987) in conjunction with site-specific performance theory (Kaye, 2000; Kwon, 2004), Foucault's (1979) notion of 'biopower' and cultural studies, this dissertation seeks to engage site-specific dance theatre as a mode of social and cultural production. Multiculturalism (Schechner, 1988/1991) and interculturalism (Bharucha, 1996; Schechner, 1991) in performance theory and practice, are also engaged to solidify debates around performance as instances of cultural production. These frameworks are engaged in relation to the contemporary production of site-specific dance theatre in Durban, South Africa. Local dance practitioner and academic Jay Pather's site-specific/installation works CityScapes, Durban (2002) and Home, Durban (2003) are used as case-studies for interrogation and investigation in relation to the chosen theoretical discourses. CityScapes and Home provide two instances of site-specific dance theatre that have emerged from within post-apartheid South Africa. The two works are engaged in close relation to the post-apartheid South African context, and its promotion of a 'rainbow nation' in the 'New South Africa'. CityScapes provides a platform to engage ideas of access to and ownership of dance forms and the spaces which they occupy - prompting critical questioning around the impact of South Africa's historical segregations and their influence upon contemporary (South African) society/societies. Similarly, Home provides a platform to engage notions of 'homespaces' as these relate to access to and ownership of private and public spaces, and how this impacts cultural inter(re)actions in post-apartheid South Africa. Both case-studies provide instances of critical performance practice, which allows for meaningful theoretical inter(re)action in relation to the two chosen performance works. In this light, this dissertation also provides an instance of much needed academic enquiry into the local, South African contemporary dance-scape.