Browsing by Author "Dalrymple, Lynn I."

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Black and white in ink : discourses of resistance in South African cartooning, 1985-1994.
(2004) Mason, Andrew John.; Tomaselli, Keyan Gray.; Dalrymple, Lynn I.
In the last decade of apartheid (1985-1994), South African cartoonists demonstrated a range of responses to the political imperatives of the day. While some worked in support of the status quo, the cartoonists who are the subject of this study opposed it. Like practitioners in other areas of cultural activity during this period, oppositional cartoonists were passionately engaged with the political process and participated in the articulation and dissemination of discourses of resistance. This study situates South African cartooning both in the context of South African resistance discourse, and in the historical and discursive context of cartooning as a form of international popular culture. It presents an argument as to how cartooning should be defined and studied - as a cluster of signifying practices that produce a range of forms in a variety of media. In terms of this definition, anti-apartheid cartooning in South Africa is identified as a specific historical category, within which distinct streams of cartooning are identified. The study locates the various activities of South African cartooning within these streams, and examines the ideological and educational functions they performed during the 1985-1994 period. The study positions cartooning within the broad theoretical field of cultural and media studies, and examines some theoretical problems that are specific to the analysis of visual culture. A language of exposition appropriate to the study of cartooning is developed, borrowing terms from the sometimes widely variant traditions of art history, literary criticism and cultural studies. A methodology for the interpretation of symbolic forms is derived from the work of British cultural theorist, John B. Thompson (1990), whereby selected cartooning texts are subjected to a combination of textual interpretation, socio-historical analysis and discursive analysis, reinforced by insights derived from conversations with 15 selected South African cartoonists. Textual analysis of selected cartooning texts from the 1985-1994 period clearly demonstrates that oppositional cartoonists gave visual expression to discourses of resistance that existed in the anti-apartheid movement, and amongst the broader public, at that time. In so doing, they contributed to the disruption of the hegemony of the apartheid state, to the legitimation of the anti-apartheid struggle and to the provision of symbols and icons that ordinary South Africans were able to utilise in 'rethinking' their own lives in relation to the demands of a rapidly transforming society.
Communication to societies that hold multiple belief systems : an experience from KwaZulu-Natal.
(2009) Gumede, Mkhonzeni.; Dalrymple, Lynn I.; Tomaselli, Keyan Gray.
Geertz (1994) asserts that man is an animal suspended in webs of significance represented by culture. Culture, education, Christianity, self concept and context are some of the webs of significance that Geertz (1994) refers to. We are always spinning on these webs and sometimes it is difficult to predict responses to new information as we are continuously suspended on these webs. Presented in a narrative framework, using an autoethnographic approach, this is a story about self in relation to the contextual landscape that I continue to interact with which is mediated by family, culture, Christianity, education (academic discipline) and my experience of working for DramAidE. The aim is to understand DramAidE’s practice and investigate ways of improving communication strategies in public health. This story discusses the complex interaction between belief, identity and context in mediating responses to public health communication. Using Act Alive as a case study, I explore how people receive information about HIV/AIDS and how this information is interpreted and applied.
Explorations in drama, theatre and education : a critique of theatre studies in South Africa.
(1987) Dalrymple, Lynn I.; Tomaselli, Keyan Gray.; Preston-Whyte, Eleanor.
This dissertation explores the potential of theatre studies to develop a pragmatic and relevant pedagogy for South African students and adults. The contention is that the dominant paradigm as conceptualized in the discipline ‘Speech and Drama’ is outdated. Section One offers a critique of this paradigm and an analysis of the premises that supported its foundation and consolidation in English-language South African Universities. Following this a search is instituted for a methodology of theatre studies which is both appropriate to present circumstances and which could encompass all South Africans. In Section Two, a survey of theories of performance is undertaken because a methodology of theatre studies is, of necessity, linked to performance theory. The pioneering contributions of some South African scholars are explained and evaluated as part of a larger body of theoretical analysis in both the humanities and the social sciences. In Section Three, the search for a methodology is approached from a different angle. The researcher offers a detailed descriptive analysis of her own work in the Department of Speech and Drama at the University of Zululand both among students and in a nearby rural community. This serves to explore the kinds of learning that occur through practical involvement in drama, theatre and specifically playmaking. These learning processes are related to the distinctive functions in drama and theatre, namely the heuristic, communicative and interpretative functions. The work is connected to progressivist trends in education and participatory research in the field of adult education. One of the intentions behind the work was, indeed, to challenge commonsense perceptions and discover the extent to which individuals are ‘victims of their own biography’. This challenge is specifically related to anti-feminist, racist and class perceptions. The dissertation concludes with recommendations for a learner-centred approach to theatre studies that is rooted in personal experience and consciously mediated through refined and extended conceptual categories. The tension between the development of students’ analytical powers and communicative skills is explored and a semiotic approach to analysis is posited. The importance of extending university work into the wider community is discussed and related to a rural development project involving playmaking, undertaken to research the potential of learning through drama for adults.
Problem solving theatre : a case study of the use of participatory forum theatre to explore HIV/AIDS issues in the workplace.
(2003) Durden, Emma.; Dalrymple, Lynn I.
This thesis examines the use of the participatory forum theatre methodology for HIVIAIDS education ina factory setting in Durban, 2003. The paper explores the field of Entertainment Education (EE), which is the strategic use of entertainment forms for health education and behaviour change. This thesis offers an overview of some of the modern theories of behaviour change and how EE is used in development communication. I investigate participatory communication theory, the work of Brazilian educationalist Paulo Freire, and the principles that inform Augusto Boats forum theatre methodology. EE strategies and communication and behavioural change theories inform the design and practice of the PST (problem solving theatre) projec( which is the case study for this thesis. This thesis outlines the process of the PST project, researching the environment at the chosen factory site, and the prevailing knowledge and attitudes towards HIV/AIDS, the creation of an appropriate forum theatre play, as well as observations and comments on the performance at the factory. Final summative research investigates the impact that the forum theatre had on the audience. The conclusion points to the tensions in theory and practice that were highlighted through the PST project, and suggests how forum theatre, as an EE strategy, can be further used in a factory setting.
Processes and participation in HIV and AIDS communication : using bodymapping to explore the experiences of young people.
(2013) Govender, Eliza Melissa.; Tomaselli, Keyan Gray.; Durden, Emma.; Dalrymple, Lynn I.
HIV and AIDS is one of the biggest challenges facing South African young people today (Govender, 2010). Young people are at risk, partly through their own behaviour and partly through the attitudes, expectations and limitations of the societies in which they grow up (Panos AIDS Briefing, 1996).The are many HIV prevention programmes developed globally and nationally, specifically for young people but the pandemic still escalates rapidly. The fourth decade now calls for multidimensional approaches when communicating HIV prevention for young people. This thesis explores how young people can contribute to this multidimensional approach through their active participation in the various phases of developing HIV projects. The study does this through a sample of eight youth-focused HIV organisations in KwaZulu-Natal and a sample of students from the University of KwaZulu-Natal, to gain more insight into participation of young people in the development of HIV programmes. Bodymapping, a visual and art-based method, was used to explore young people’s understanding of HIV, their perceptions of HIV programmes and the possibilities of their participation in the developing of further HIV projects. The study used a grounded approach and applied principles of participatory action research to collect data in four phases. The first phase used interviews and focus group discussions with eight sample organisations to give insight into the programmes offered to young people and how they engage and make sense of their participation within these programmes. The second phase draws on previous bodymapping workshops that have been conducted with students from UKZN and young people in various communities to explore the application and relevance of bodymapping. In the third phase, data is presented on two bodymapping workshops conducted, to engage with young people about their contribution to the development of HIV programmes. The final phase draws on two focus group discussions, conducted with bodymapping participants, to examine their experiences and interpretation of the bodymapping process. Some of the key findings indicate that a blanket approach to HIV programmes will not always work, as young people’s sexual behaviour needs to be explored within a wider socio-ecological framework that recognises the inter-relational and interconnected system in which they make their sexual choices. The data indicates that youth and organisations strongly support the importance of participation and the inclusion of participants when developing HIV projects. However, discussions about participation indicated that while young people could identify the importance of participation, they still lacked an understanding of how to participate and how they could learn more about their lived experiences through participation. This was evident in the data where there was a distinction in how participation was defined from those in the UKZN group and those from rural KZN. In understanding what constitutes participation, young people are better positioned to aid the process of developing effective HIV related projects that are participant specific. I argue that bodymapping can be used as a process to initiate and aid the participation of young people in the various phases of developing HIV projects. A three level model for applying bodymapping and planning processes has been developed to encourage participation with young people where the first step ensures that young people define what participation means to them. This becomes the foundation for how communication practitioners and academics make sense and theorise participation from a participant informed perspective. Bodymapping was pivotal in this process of engaging young people in self-reflection and introspection which encouraged a process of dialogue towards better understanding and defining participation from a participant perspective. Bodymapping in this way can be identified as a catalyst that encourages dialogue as part of communication for participatory development.
Staging empowerment? An investigation into participation and development in HIV and AIDS theatre projects.
(2010) Durden, Emma.; Dalrymple, Lynn I.
This thesis is an exploration of contemporary practice in the field of theatre for development as HIV and AIDS communication. The thesis explores the theoretical fields of communication for development, entertainment education and empowerment, in an attempt to understand how different approaches to communicating about HIV and AIDS can influence personal and social change, and impact on both personal empowerment and community development. An examination of the literature on using theatre as a means to bring about development leads to the identification of key areas for investigation, including how participation is envisioned and implemented in theatre projects that focus on HIV and AIDS, and how participants are empowered through these processes. My study includes a broad survey of practitioners who use theatre in this way, the results of which inform an examination of three specific case studies. The research data reflects that participation is used as a strategy in different ways in theory-driven interventions that are consciously designed to meet specific goals. While many practitioners highlight participation, this is often in interventions that are guided by the modernisation approach to development, where external organisations attempt to bring about pre-determined change within a beneficiary community. The low levels of participation in essential decision-making processes in these projects mean that these projects preclude some of the elements essential to bringing about empowerment, such as the development of a greater critical consciousness and encouraging community-based problem solving. Such practice cannot bring about substantial long-term changes and empowerment for the project beneficiaries or for society more broadly. My research identifies a need to reconsider HIV and AIDS communication within the context of development, if change is to be brought about. In my concluding chapter, I suggest a number of ways to bring practice closer to the paradigm of meaningful participation as informed by empowerment theory.
Using popular participatory theatre as a research method to expose the relationship between HIV/AIDS and silence in Malealea Valley, Lesotho.
(2008) Malibo, Rethabile Khantse.; Young-Jahangeer, Miranda.; Dalrymple, Lynn I.
his study discusses the benefits of Popular Participatory Theatre (PPT) as a research method with which to investigate the culture of silence around HIV/AIDS issues in Malealea Valley, Lesotho. Popular Participatory Theatre provided the means by which the community named, reflected on and initiated action with regard to their problems. This research will contribute to the growing body of research which aims to uncover effective modes of communication which could lead to behaviour change. This study employed the qualitative research methodology. This was in recognition that qualitative research involves in-depth understanding of human behaviours and the reasons that govern that behaviour, and looks at the reasons behind various aspects of behaviour, perceptions, beliefs and attitudes. Qualitative research seeks meaning rather than generality and contributes to theory development (Miller et al, 2003:192-3). In-depth interviews and focus groups were also used as instruments for data collection. The findings of the study indicate that socio-economic issues such as language, cultural practices, the way that Basotho are brought up and power dynamics around patriarchy contribute to the culture of silence. The Malealea Theatre Project helped the Malealea community to re-examine some of their beliefs and cultural practices. The findings also indicate that popular participatory theatre is an effective research method that can be used to collect data while also leading to community action.
The value of participatory and non-participatory implementation and evaluation methodologies of HIV/AIDS communication-based interventions in southern Africa.
(2004) Niba, Mercy Bi.; Green, Jannette Maryann.; Dalrymple, Lynn I.
HIV/AIDS is an epidemic that is in one way or another affecting humankind and particularly the African continent. Due to its devastating nature, many strategies and interventions are being employed at different levels and by different groups of people to fight it. Evaluation has been a component of these projects, but few have been subjected to systematic monitoring and evaluation that provides a foundation for the development and implementation of further projects. This is partly due to the fact that project implementation and evaluation can be rendered complex by several factors, such as the choice of methodologies, donor satisfaction and the very nature of interventions and evaluations themselves. Taking a situation where the aim of a project and its evaluation is to bring about social change, as is the case with many HIV/AIDS interventions, this study sought to investigate approaches that could be considered meaningful, useful and valuable. In order to carry out the investigation of this study, the approach taken was an in-depth analysis of a few cases (in anticipation of greater achievement of insight), rather than broader survey types of perspectives. The study also concentrated on a review of the literature and on validation of documentary and interview evidence provided by beneficiaries, managerial staff and evaluators of communication-based HIV/AIDS. Results of the study highlighted the fact that community-based factors, such as education, poverty, culture, beliefs, gender, crime and age, influenced social change (with respect to HIV/AIDS) in varying ways and depending on the communities concerned. The different ways in which these factors influenced social change within specific communities were noted to have implications on interventions dealing with them. As such, an in-depth assessment of these different ways with respect to specific groups of people was encouraged in order to have a meaningful, useful and valuable HIV/AIDS intervention. The theory of active participation of targeted communities was also propagated in an HIV/AIDS intervention. It was noted that when active participation is encouraged in a project at both implementation and evaluation, taking the example of an HIV/AIDS project that intended achieving group knowledge acquisition, awareness, attitude change, skills acquisition, effective functioning and sustainability, such participation would contribute to: • Override to a great extent, limitations arising from socio-demographic differences (project locations and gender, language, age and race of implementers, evaluators and beneficiaries), in the attainment of project objectives. • Override to a great extent, limitations arising from differences in forms of evaluation (internal versus external evaluators), in the assessment of project objectives. • Create an enabling environment for higher attainment of project objectives in comparison to a situation where active participation is encouraged only at implementation (and not at evaluation). It was further discovered from this study that when beneficiaries are excluded from participating in the planning, action-planning and result-feedback stages of a project and its evaluation, dissatisfaction is experienced on the part of these beneficiaries as well as missed opportunities for useful contributions. The degree and quality of beneficiary involvement in project implementation and evaluation was seen to generate beneficiary excitement and a general sense of project acceptance: all of which was noted to create an enabling environment for the making of proper choices and decisions. Finally, difficulty in accessing traditional evaluations and people's feeling of shame and ineffectiveness was noted in the work (in the area of collecting data pertaining to traditional evaluation). This pointed to possible compromise of meaningfulness, usefulness and value of traditional evaluations.