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Doctoral Degrees (English, Media and Performance Studies)

Permanent URI for this collectionhttps://hdl.handle.net/10413/6496

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Browsing Doctoral Degrees (English, Media and Performance Studies) by Subject "African feminism."

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    Challenging patriarchal normativity: Southern African women writers’ constructions of women’s concerns, needs, changing identities, agency and solidarity.
    (2021) Rubaya, Clemence.; Narismulu, Gayatri Priyadarshini.
    This thesis explores literary representations of African women challenging the oppressiveness of patriarchal normativity that has and continues to undermine and destroy the quality of women’s lives the world over, by persistently oppressing them and denying them equal rights, freedoms and opportunities. Contesting patriarchal normativity is critical to addressing the discrimination and oppression experienced by women, and understanding how they seek to emancipate themselves, to enjoy their rights to respect, dignity and fulfilling lives, as full members of the society to which they belong. African women have played important roles in surviving and challenging a range of interlocking patriarchal systems. They have tackled the imperatives of transforming the oppressive structures that hinder peace and development in many societies. To address his topic, the researcher adopted an interpretive content analysis of feminist literature from Southern Africa, and reviewed a range of secondary literature to support the study. Lauretta Ngcobo’s And They Didn’t Die and Tsitsi Dangarembga’s Nervous Conditions are the primary texts selected for study. The research indicates the power and resilience of a range of women in struggles against colonial/apartheid/capitalist patriarchy that have intersected to compound the abuse and tyranny experienced by African women. Dangarembga and Ngcobo’s powerful representations of African women in their novels afford deep insights into the critical roles of African women in ensuring family and community survival, and challenging the assumptions embedded in patriarchal thinking. Drawing on the inspiring leadership of the authors, the study challenges more men to get involved in the feminist struggle against patriarchal normativity and oppressive systems, because all women, children, men, families, communities, societies, our continent, and the world benefit from gender empowerment and justice, and the full integration of women. The thesis also addresses the value and strength of women’s (and men’s) solidarity in challenging these oppressive systems.
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    A critique of the representation of women and land in postcolonial Zimbabwe fictional literature.
    Hungwe, Elda.; Narismulu, Gayatri Priyadarshini.
    This research explores the representation of women and land in postcolonial Zimbabwean fictional literature, through examining the extent to which Zimbabwean literary writers deal with the challenges of women’s access to owning and controlling land. Most Zimbabwean women have many generations of agricultural knowledge, skills and labour, as women have long been the primary agriculturalists who grew crops and raised animals. The research indicates that the colonial invasion, seizure and dispossession of land and oppression of African people prompted women and men to fight for liberation. However, even after independence, Zimbabwean women have continued to struggle to gain access to owning and controlling land. These struggles are well represented in creative works, such as Irene Mahamba’s Woman in Struggle, Freedom Nyamubaya’s On The Road Again, Yvonne Vera’s Without A Name and Nehanda, Chenjerai Hove’s Bones, Valerie Tagwira’s The Uncertainty of Hope, Lawrence Hoba’s ‘The Trek And other Stories’, Julius Chingono’s ‘Minister Without Portfolio’, Lawrence Hoba’s ‘Specialisation’, Daniel Mandishona’s ‘A Dirty Game’ and NoViolet Bulawayo’s We Need New Names. The research, including the analysis of the primary literary texts, shows that patriarchal social customs, as well as the functions and operations of the state and the police continue to limit and deny women opportunities to access, own and control land. The literary texts also show women using strategies and tactics to challenge the gendered limitations to their access to land. African Feminist theory and approaches are used to analyse women’s challenges and responses including the literary representations of land access and to address these in empowered ways.