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A study on the creative processes of Ngalanga traditional music and dance from Mozambique: expressions of the Mozambican Chopi immigrant community of Clermont Township in Durban.
(2018)This study is an ethnographic enquiry on the creative processes engaged in ngalanga by a migrant community of Mozambicans in Clermont Township in Durban. It discusses how creative actions are conceived and applied to ... -
Towards a personal interpretation of Beethoven’s piano sonata in E major OP.109.
This study analyses some of the intersections between the activities of an instinctive performing artist with those of a traditional musicologist. This is in line with a growing worldwide trend which views the examination ... -
Postcolonial nostalgia and meaning: new perspectives on contemporary South African writings.
(2019)This dissertation explores the concept and application of nostalgia in a selection of contemporary South African novels chosen as representative of the multi-cultural diversity of South Africa’s literature. The study ... -
The Harmonic Perspective of Rhythm: applications for the expansion of musical awareness and the acquisition of rhythmically complex music.
(2017)This study describes and evaluates a new paradigm for informed rhythmic practice: the harmonic perspective of rhythm. Normal, theoretically driven or written rhythmic conceptions have tended to rely on a limited grid based ... -
The influences of Christianity and commerce on the culture of popular gospel music in post-apartheid South Africa.
(2017)Gospel music is the biggest genre of popular music in South Africa. This popularity can be attributed to various elements that are an integral part of the diverse South African democratic society. As a developing country ... -
Evaluating Shona liturgical music in localised practices of inculturation within the Catholic Mass in Zimbabwe.
This study evaluates practices of inculturation in the composition and performance of Shona liturgical music for the Catholic Mass in the parishes of St Theresa Seke and Glen Norah-Budiriro, which are both located in Harare, ... -
Archiving the cultural legacy of mbira dzavadzimu in the context of kuriva guva and dandaro practices.
(2013)This thesis focuses on archiving cultural legacy of Shona mbira dzaVadzimu in the context of kurova guva and dandaro practices. The study is informed by archive theory which provides insights on how to collect and archive ... -
An ethnography on the uses of chinyambera traditional dance as a coping mechanism by marginalised communities in Gweru Zimbabwe : the case of Tavirima Traditional Dance Group.
(2013)This dissertation is an ethnographic expository of how Tavirima Traditional Dance Group uses chinyambera traditional dance as a copying mechanism for marginalised communities in Gweru, Zimbabwe. This study contextualises ... -
Areas of remote music collaboration on the Internet : exploring constraints and possibilities through four case studies.
(2012)No abstract available. -
The re-emergence of Amahubo song styles and ideas in some modern Zulu musical styles.
(1992)Amahubo songs are at the centre of the traditional Zulu cultural, religious and political lives. Their age is often associated with the very "beginning" of things, when the very first Zulu people emerged from the bed ... -
Jazz travels : a portfolio of jazz compositions and arrangements of African inspiration.
(2010)The pieces presented in this portfolio are in some ways a synthesis of my own musical history up to this point in time. Though I was scarcely aware as a child, I now know that the diverse strains of modem African American ... -
Writing against exile : a chronotopic reading of the autobiographies of Miriam Makeba, Joe Mogotsi, and Hugh Masekela.
(2006)This dissertation analyses the autobiographies of Miriam Makeba, Joe Mogotsi and Hugh Masekela. The story of these formerly exiled musicians' lives as musicians who embodied the urbanising and eclectic black musical ethos ... -
The role of rap performance in reinforcing or challenging participants' perceptions of 'race' in post-apartheid South Africa, Durban.
(2008)This ethnographic study concerns itself with the role that local rap performance plays in either reinforcing or challenging perceptions of 'race' amongst the participants of hip-hop culture in Durban, South Africa, and ... -
Mugithi perfomance as a form of social cohesion among the Agikuyu of Kenya.
(2010)This research investigated what the musical characteristics of mwomboko music were, what its social characteristics were in terms of performers, listening, venues and class relations to what extent this music functioned ... -
Generic style music preferences of urban South African students.
(2000)The purpose of this exploratory study was to measure the music preferences of South African, junior secondary students and to find out what variables had an influence on their music preference decisions. LeBlanc's (1982) ... -
Pennywhistle kwela : a musical, historical and socio-political analysis.
(1993)This thesis is an exploration of the history of the pennywhistle in black South African popular music, the most important style to evolve around this instrument being kwela music. An analysis of kwela is conducted from ... -
The relationships between music and sound effects in post 1960 popular Hollywood film.
(1994)No abstract available. -
Music of numbers [printed music] : nine pieces for two players and pianoforte.
(1981)No abstract available.
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