Media, Visual Arts and Drama
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YUCK! (2020): a performative exploration of the white heterosexual self in South Africa as grotesque.
(2022)This dissertation discusses how I used performance to explore my white-heterosexual-male identity within the context of contemporary South Africa from a grotesque perspective. The research joins the academic conversation ... -
A new ‘dance of agency’: an embodied engagement with material agency in artistic practice.
(2023)My current body of work explores, and is rooted in, the issues and challenges surrounding posthuman performativity as part of the New Materialisms. These theories claim to offer a new way of making/knowing/being that is ... -
#Democracy: a case study of social media use amongst members of the public sphere during the 2014 South African general election.
(2016)At present social media is used by 28% of the world’s population. The use has naturally penetrated the political sphere where social media presence in election periods is a global growing phenomenon. However, limited ... -
Public relations in sport: a case study on the South African Hockey Association with a focus on social media in public relations strategies.
(2019)The South African Hockey Association (SAHA) is tasked with the responsibility of the management and functionality of indoor and outdoor hockey in South Africa. This includes the administration, development and coordination ... -
Articulations of the media, migration and the urban in constructions of black African subjectivity in post-apartheid South Africa: a decolonial approach.Ukuvezwa kwezokuxhumana, ukufuduka kanye nobudolobha ekwakheni ubu-Afrikha obumnyama obuvumelana nesikhathi sangemumva kobandlululo eNingizimu Afrikha: Indlela ephikisana nobuqonela.
(2022)This study enacts a decolonial Media and Cultural Studies. Rather than think in terms of what the media as technologies of culture ideally ought to do, the thesis focuses on what the media have historically done in South ... -
Panic! Looting! : the prevalence of disaster mythology on Fox News Online and CNN Online when reporting on Hurricane Harvey and Hurricane Irma.
(2022)The aim of this research project was to establish whether or not the known sociological concept of disaster myths were used by CNN and FOX in their online coverage of 2017 Hurricanes Harvey and Irma. After investigating ... -
A critical analysis of documentary production ethics and technical standards of Zimbabwe’s key population documentaries.
(2021)The majority of researchers on media and its impact on representation of Key Populations have concentrated on print media and advertisement. Limited research has been undertaken to understand how electronic media represent, ... -
She’s seldom seen wearing her director’s hat here: interrogating the paucity of black women stage directors in three state-supported theatres in contemporary South Africa (1999-2018)
(2020)The startling dearth of black women stage directors accessing three of South Africa’s six state-funded theatres – Artscape, the Market and the Playhouse – between 1999 and 2018 forms the impetus for this study. Production ... -
Developing a methodology for creative interpretation of traditional dramatic texts in post-apartheid theatre: a case study of Shakespearean interpretation at the University of KwaZulu-Natal.
(2021)While student demographics in higher education have changed to reflect South Africa’s multicultural society, many universities are still offering traditional Drama curricula with colonial-based content. This thesis focuses ... -
Framing and shaping in media reporting: online media report of Marikana Massacre 2012-2014.
(2021)The Lonmin Mines wage strike which saw 44 people lose their lives, 34 of which were brutally shot and killed by the South African Police Services, not only made the national or regional headlines but made international ... -
Exploring gender identities of females from township in Durban as represented and negotiated through stereotypes by South African soap operas: Generations: The Legacy and Isidingo: The Need.
(2020)This study explores gender identities and media culture of black African women through digital storytelling using two of South Africa’s popular soap operas, Generations: The Legacy and Isidingo: The Need, as its case ... -
The re-contextualisation and representation of women’s roles in the television series Once Upon a Time.
(2020)This dissertation explores the representation and re-contextualisation of female roles in the contemporary television series, Once Upon a Time. Women in the media and society have long been undermined. Women, especially ... -
Exploring the effectiveness of interactive information and data visualisation for news web interface in the advent of the Fourth Industrial Revolution: a South African perspective.
(2021)From a global perspective, news production and consumption is becoming increasingly digitised. The world is changing very fast, and big will not beat small anymore, but rather the fast beating the slow (Murdoch, 2016). ... -
Interrogating the synthesis of African traditional rituals and spirituality in contemporary South African dance: critical reflections on the dance work of Vincent Mantsoe, Moeketsi Koena, and my own work.
(2020)This part dissertation explores the synthesis of selected, black (AmaZulu and Sotho) South African traditional rituals and spirituality, and the way they are negotiated and manifest in selected contemporary South African ... -
Hooked: a truelife production about teen drug and alcohol abuse: engaging action research and postmodern theatre practices in devising a theatre in education project.
(2019)Theatre in Education (TIE) has a long history of impact and development, and in South Africa, has been particularly instrumental in bringing about social change, challenging young people to reflect on their lives and ... -
Into Ulwembu: exploring collaborative methodologies in a research-based theatre production on street-level drug use in KwaZulu-Natal, South Africa.
(2019)Over a yearlong creative process starting in 2014, The Big Brotherhood, Mpume Mthombeni, Dr Dylan McGarry and myself, Neil Coppen, came together to devise a collaborative theatrical intervention in response to the ‘whoonga ... -
#MrpMyStyle as brand communication: an analysis of Mr Price brand image as reflected through Facebook.
(2019)This study investigates the hashtag #mrpmystyle as brand communication. Through observation of Mr Price‟s Facebook page, and its activities over a period, to evaluate the effectiveness of the Mr Price Facebook page in ... -
Articulating pain and surviving trauma: interrogating the representations of extreme gender violence in two contemporary South African plays by Lara Foot and Phyllis Klotz.
(2019)The high rape statistics in South Africa has launched diverse research enquiries to interrogate extreme gender-based violence particularly child rape and corrective rape. The findings from broad research studies for example ... -
Contemporary Afrikaner cultural identity and the Suidlanders: a discursive analysis of the Suidelanders Inligting DVD 2.
(2012)This dissertation is a discursive analysis of the Suidlanders DVD2. It explores white Afrikaner identity through discourses such as those offered in the Kill the Boer debate, and an all-encompassing fear discourse that ... -
Choreographies of identity, self and the ‘African’ dancing body in negotiating contemporary dancing histories and practices in KwaZulu-Natal post 1994 : a case study of Flatfoot Dance Company.
(2018)This thesis, through a series of case studies of my dance work with FLATFOOT DANCE COMPANY (post 1994), offers an interrogation of both my internal and external processes of decolonising entrenched paradigms of training, ...
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