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dc.contributor.advisorVan Wyngaard, John Robert.
dc.creatorDix, Brett Gavin.
dc.date.accessioned2010-09-07T12:18:23Z
dc.date.available2010-09-07T12:18:23Z
dc.date.issued2007
dc.date.issued2007
dc.identifier.urihttp://hdl.handle.net/10413/977
dc.descriptionThesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2007.en_US
dc.description.abstractThis dissertation attempts to compare and contrast the functions of cultural memory and myth in both Heaney and Krog's work. By doing so, I look at what it means for both writers to work within a culture or tradition, and how they both mediate their religious or racial identity within a fractured and divided society.en_US
dc.language.isoenen_US
dc.subjectMemory in literature.en_US
dc.subjectMyth in literature.en_US
dc.subjectSouth Africa--In literature.en_US
dc.subjectIreland--In literature.en_US
dc.subjectTheses--English.en_US
dc.titleCultural memory and myth in Seamus Heaney's bog poems, and Antjie Krog's Country of my skull and Down to my last skin.en_US
dc.typeThesisen_US


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