Cybernetics, semiotics and meaning in the cinema.

dc.contributor.author	Tomaselli, Keyan Gray.
dc.date.accessioned	2013-04-22T08:51:22Z
dc.date.available	2013-04-22T08:51:22Z
dc.date.created	1985
dc.date.issued	1985
dc.description.abstract	This paper builds on Gene Youngblood's use of cybernetic theory in film analysis. It combines the cybernetic method with Peircian-derived semiotics in an attempt to derive a meta-theory of social process and film textual structure. An attempt is made to resolve the more deterministic elements of Youngblood's theory, developing a more probabilistic approach. The paper ends with some conjecture on how the cyber-semiotic theory developed can be combined with Lacanian psychoanalysis and Marxist approaches developed by the scholars contributing to the British journal Screen.	en
dc.identifier.citation	Tomaselli, K.G. 1985. Cybernetics, semiotics and meaning in the cinema. Communicare 4(1) pp. 48-62.	en
dc.identifier.issn	0259-0069
dc.identifier.uri	http://hdl.handle.net/10413/8788
dc.language.iso	en	en
dc.publisher	School of Communication. University of Johannesburg.	en
dc.subject	Cybernetics.	en
dc.subject	Motion pictures--Theory, etc.	en
dc.subject	Film criticism.	en
dc.subject	Semiotics.	en
dc.subject.other	Film analysis.	en
dc.subject.other	Cybernetic theory.	en
dc.title	Cybernetics, semiotics and meaning in the cinema.	en
dc.type	Peer reviewed journal article	en

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